Of Jim, Jobs, and Journeys:

I've been a bit jib of late, jittery at the juncture I've placed myself in, thanks to recent jeopardous jargon about Jim. Just this weekend, I jumped into a bit of a jam, injudiciously juxtaposing Jim for James's Dad.

Mystery Solved! Thanks to CCS student Elizabeth Chasalow, I finally know who I was talking to last Saturday -- the fellow named Jim, he-who-was-not-James-Kochalka's-Pop -- and without further ado, here's Elizabeth's email resolution to this rather tawdry and mildly embarrassing dilemma:

"I'm preeeeetty sure the guy you met was Jim Jarvela. He
was soft-spoken, and leaned in to talk, and I drew him a little alien who looked like it just wanted to hug itself, and then you drew him one too... It's Jacob's dad. (Jacob's the one with the square-ish glasses, brown hair, and chin fluff, if you haven't figured them all out yet) So, there ya go."

Jacob, natch, is a fellow CCS student. Gee, Jacob, why didn't you say so?

Thanks, Elizabeth -- that joyously jibes with (and jolts) my jumbled memory -- and jolly apologies to Jacob, Jim, and James. Justice is served! You may judge me a jester, jape or jeer at my jabber, or form a jocund juvenile junto to jail me as a jongleur -- but please, just don't jab my jugular!

Hope this jejune joking leaves you jazzed enough to join me as I further jiggle my jaw, jotting jovial journal entries in a jiffy.
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If email is any barometer of the national temperature, my having received no less than 42 emails with attachments of the composite photo of past-and-present President Bush enjoying a father-and-son fishing expedition in flooded New Orleans is telling. (I'll spare you the photo; I'm sure you've seen it. Best email lead-in is from Chris Kalnick, sardonically referring to father-and-son Bush "liberating unfortunates from Katrina's flood waters.")

So is the fact that I have, as of this afternoon, received 27 email variations on the following:

Q: What is Bush's position on Roe vs. Wade?

A: He really doesn't care how people get out of New Orleans, as long as they do it on their own.

Remember, you read it here, uh, 97 times after you read it elsewhere.
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Last week, I announced the upcoming Burlington Literary Festival's one-day comicbook symposium, which is happening next Saturday in Burlington, VT. It begins at 1 PM with an illustrated lecture by James Sturm, continues with the 3 PM panel moderated by yours truly (featuring James Kochalka, Tom Devlin, and Greg Giordano), and concludes with a 7:30 PM evening panel with Alison Bechdel, Harry Bliss, and LJ Kopf.

I'm really looking forward to the event, and hope to see some of you there. I've already posted tons of information

here...

...and the Festival website is

here.

If you have questions, contact Barbara A. Shatara (Outreach & Reference Librarian) -- or anyone, really -- at the Fletcher Free Library; phone: 802-865-7211 -- FAX: 802-865-7227.

Again, it's all happening next Saturday, September 24th, at the Fletcher Free Library on 235 College Street in Burlington, VT. Here's the directions, for those able to make the drive:

Directions to the Library: The Library is located on the corner of College Street and South Winooski Avenue at 235 College Street. We are located one block east of Church Street. The Roxy movie theater is across the street from the library.

From Route 7 South In Burlington, go through the rotary and stay on Shelburne Road. 100 hundred yards after the rotary bear right on to South Union Street. At the first traffic light take a left on to Main Street. At the next light take a right on to South Winooski Avenue - take your next right onto College Street. The library is immediately to your right.

From I-89 Take exit 14 west off of I-89 and proceed west on Route 2 toward Burlington. Drive past the University of Vermont. Continuing down the hill, you're now on Main Street, take a right onto South Winooski Avenue. Take your next right onto College Street. The library is immediately to your right.

Marj and I are looking forward to spending the day in Burlington, though I suspect she'll be bopping and shopping while I'm lopping off sentences and conjugating comicological verbs on the panel. I'm particularly psyched about the evening event, and it's a hoot the Literary Festival has expanded its canvas to include our favorite medium.

I'll post one more reminder next week.
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There's another upcoming event some of you might be interested in: I am presenting a Halloween Horror Comics slide lecture at the Brattleboro Museum and Arts Center on October 27, 2005. I promise it will be lively, gory, and mucho monstrous fun!

I'll post more info as that date approaches, but just a head's up for those of you interested -- and yes, the Comic Art in the Green Mountains is still in place at the Museum, featuring original art by yours truly, Frank Miller, James Sturm, Rick Veitch, and James Kochalka.
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Jeez, what a lackluster bunch of drivel. OK, livelier insights tomorrow AM, I promise. Back to work...

A Post about My Day One Teaching at CCS, with No Kittens or Devil Tomatoes in It

You know, vet blogger Neil Gaiman posts all kinds of neat stuff, including "name the kitten" contests and "what to do with my Demon Tomato" and such. Here, you just get gnat-boy-Bissette. Well, until a kitten stumbles to our door or tomatoes we don't grow sprout horns, this is what you get.
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Day One at CCS: My first class at the Center for Cartoon Studies has now come and gone, and I reckon it went pretty well, though you'll have to ask the students themselves. When Rick Veitch and I got together for a bit Monday afternoon (I was picking up copies of MaxiMortal for the class -- required reading along with Gerard Jones' Men of Tomorrow), he asked, "are the students doing imitations of you guys yet?" At Kubert School, we all had our teachers down in the first week or two (with the exception of Hy Eisman, whom no one could mock as well as Hy himself did). You gotta have a sense of humor in this biz!

As I entered the classroom, James Sturm was leaving for the day, bag slung over his shoulder and clearly exhausted. He quietly said, "I forgot how exhausting teaching could be," and was gone. I intended to ask if he wanted to have supper in town, but so much for that!

(Note to self #1: Whatever James looks like as I enter the classroom is a fair approximation of how I will feel three hours later. Observe and plan accordingly. PS: Pack a return-home meal easily devoured in the car; discourage yogurt or oatmeal, even if still teaching after all my teeth have fallen out.)

Though there will be two massive assignments at the halfway point and end post of my 14-week class, I made it clear from minute one the only requirement for a passing grade in my class is to show up. I've got the final session (3:30 PM to 6 PM) of the most jam-packed day in the CCS schedule, so I see myself as an instructor in that I will share as much information and visual stimuli as possible while covering the history of comics in 14 sessions, and as a showman in that it's my job to keep everyone awake long enough to absorb the shit I'm tossing at the fan (heh heh, savor that metaphor, oh Constant Reader). Henderson State University professor Randy Duncan put me in my place earlier this year when he explained to me that he can cover the history of comics in, like, ten minutes. Ya, well, so what, Randy? I can summarize Moby Dick in one short sentence, too. So I'm grand-standing at 14 weeks; still, it's a lot of ground to cover, and we managed to skate from the 12th Century to 1912 and only go over schedule about twenty minutes yesterday. However, because I didn't circulate a variation on Randy's handy-dandy class questionnaire, it took until 6 PM to discover at least some of my students had never, ever heard of Winsor McCay, which I cleverly inundated them with nevertheless.

(Note to self #2: Bring more Winsor McCay.)

I made the mistake of loading and unloading my car before class with over a dozen boxes of materials for the CCS -- two boxes of books from Rick Veitch (Rick donated slightly-damaged copies of the BratPack collected to the students, too), a box of Comics Journals duplicates from my collection, and tons of stuff from the CBLDF. Thus, I was a somewhat stinky, sweaty 50-year-old cartoonist presenting myself to my class Day One, wearing my now-stinky, somewhat sweaty gekko t-shirt.

(Note to self #3: Always pack a change of shirt for CCS; maybe a change of shorts and/or Depends, too. You never know if a moose will wander onto 91 en route to CCS and cause one to shit oneself, if one survives the car wreck. Better yet, don't pack and unpack a full carload prior to teaching on Mondays.)

Furthermore, it took longer than anticipated to prepare all the handout materials. As I mentioned to everyone from the get-go, covering the history of the medium in 14 weeks means we cover breadth of material with little depth -- unfortunate, but that's the reality. I will be annexing every session with abundant handouts (yesterday I provided two chapters on decoding Mayan and Mixtec Codices; a cherry-picked selection of early American single-panel comics from the 1700s to 1860s; a handout originally prepared for my Journeys Into Fear horror comics lecture, featuring a sampling of J.G. Posada's work and two complete full-page Winsor McCay Dreams of the Rarebit Fiend strips; and photocopies of my 1975 independent comics studies proposals to Johnson State College, just to show that I had been in my student's shoes 30 years ago, before the term "graphic novel" even existed). Now, I had either prepared myself, or left last week with Robyn Chapman, most of the material, leaving only the two chapters on codices to copy, and arriving an hour early to see to completing those two handouts. Alas, I had not reckoned with the inevitable non-cooperative stapler and length of one of the chapters. Robyn saved the day, and I managed to clear the stapler of backed-up-bend-staples without ripping open any of my fingers.

(Note to self #4: Bring my Bullhonker Stapler next week, and never, ever present oneself to class bleeding like a stuck pig. Sweating is bad enough. PS: Be sure to ask Michelle or Robyn where CCS First Aid kit is, in case, despite all precautions, I do rip my hands to pieces fucking with the goddamnedmonkeyfelchingmotherfuckershitass stapler.)

All in all, the first session went pretty well. Ever the showman, I consciously incorporated some video clips into the presentation, the best of which were undoubtably the McCay animations. The clip from Carl Dreyer's Vampyr (1931), however, should be avoided at all costs in the future (I should, however, find some method of using it during future trips to the dentist; Dreyer works better than novocaine any day of the week).
Though I've got to be careful not to use video too often -- animation is not comics, nor did I present it as such -- it is occasionally of great value. The fact that some of the students were unfamiliar with McCay and his body of work definitely meant the inclusion of Little Nemo (1911), Gertie the Dinosaur (1914 -- not 1912, as many sources erroneously state) and The Pet (1921) was worthwhile.

(Note to Self #5: Avoid silent movie clips, as students will be unable to stay awake sans soundtrack. PS: Bring rubber bands to fire at students drifting to sleep during sadistically-selected silent film clips in future.)

Well, I could ramble on, as I did in class, but you get the idea. Listen, you should have been there. If you'd just shown up, you'd have an 'A' for the day!

This first CCS group is pretty amazing, and I'm eager to work with them beyond just the comics history sessions (excuse me, the class is actually entitled "Survey of the Drawn Story"). I'd like to be able to associate more than just names with faces: I've yet to see anyone's art, and that's something I hope to rectify soon enough.

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Oops -- reckon that wasn't James Kochalka's dad I met on Saturday. Relative? Friend of James' Dad? I don't know -- the man spoke softly, and it was noisy in the CCS beehive. Anyhoot, a correction, and this from James hisself:

"I read on your blog that someone at the CCS grand opening introduced themselves to you as James Kochalka's father, Jim. My father's name is not Jim, and my father was not at the opening. Either you mistyped, misheard, or someone played a little joke on you I think! He is a "gent wearing glasses" though, that much is true. If you had been able to attend the opening at the Brattleboro museum, you would have definitely met my father for real.... I don't fault you for missing the opening at all, although it would have been fun to have you there. You probably would like my dad if you ever get to meet him. He's 87 and very friendly and open and even goofy. He was making up poems off the top of his head for Peter Money!"

Thanks for letting me know, James. Well, that cinches it -- besides, the fellow I spoke to told me he was 53 (at the time, the math struck me as odd, I must say -- but hey, some Vermonters do have their first children at age 15). Hmmm, the mystery remains. My apologies to James and to whoever it was I met -- my mistake. James added:

"P.S. I taught the first class today and we're off to a good start! Very exciting."

It is, indeed (on both counts)!

[Postscript: It was CCS student Jacob Jarvela's father; I've revised the original post to note that fact. Sorry!]
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This just in from Al Nickerson: "Remembering The Creator's Bill of Rights and the discussion of creator’s rights continues with a letter from Erik Larsen (thanks, Erik). Erik addresses Dave Sim's letter concerning The Creator's Bill of Rights and the Neil Gaiman vs. Todd McFarlane feud..."

Yes, it does,

right here.

Erik addresses Dave, ignores mere-gnat-Bissette completely, and opens succinctly with, "Heck, I’ve never read the darned thing." Erik concludes his first paragraph with, "At the end of the day, the Creators’ Bill of Rights real value may come from simply spelling things out in a form people can understand and utilize in their negotiations with a potential client," which is what I've said from the start, so I'll take this as reaching some consensus, even if Erik has never read the darned thing and clearly doesn't care to talk to me.

I'll only further mention that Erik and Dave sidestep the Gaiman/McFarlane issues as they did first time around, agreeing to dis the all-female jury and how unfair to Todd they were in their judgement, and that's that. (C'mon, everyone, all together now! "Aaaaaaaaaaaahhhh -- poor, poor Todd McFarlane.")

Which brings me back to Neil's devil-horned tomato.

More CCS opener weekend impressions:

It was remarkable how many people -- and what a diversity of people! -- passed through the CCS doors on Saturday. It was a blast to meet so many of them while doing sketches for 'em, all the while looking up and over at the other lines standing at the sketch stations.

One gent wearing glasses came over and leaned in toward me, introducing himself as Jacob Jarvela's father [note: in the original post, I mistakingly named this fellow as James Kochalka's father!] Jim and asking me if Forrest J. Ackerman and Famous Monsters of Filmland had played any part in my growing up. "You know it!" I replied, and we ended up talking about his own affection for FM and his visiting the Ackermansion in its glory days, before the lack of interest in it becoming a museum and the auctions eroding the Ackerman collection. I mentioned my visiting Ray Harryhausen's London home in London back in the early 1990s, and when I told Jim about Mr. Harryhausen showing me his Gustave Dore first editions collection, building up to the revelation of an original oil painting by Dore, Jim paused and said, "I just had a shiver go up my spine."

Robyn Chapman is already one of the anchors at CCS, though I expect she might shrug or blush that off just now. Amid Robyn coordinating many of the CCS opening day tasks, all while clicking as many photos as she could, I bustled in Saturday with a trio of folders with handout material for my first class tomorrow afternoon. Just what she needed: another distraction. Robyn accepted it without hesitation and made sure we went over everything before Marj and I left for the evening. Bless you, Robyn!

Yesterday afternoon, CCS board member Bayle Drubel and her husband Richard hosted a big-fun BBQ shindig at their beautiful home in Hanover. It was a motly crew of CCS faculty, board members and students from all walks of life, there with families, high energy, and appetites. We converged at CCS at 4 PM, and I brought in the laserdisc player Alan Goldstein donated to CCS and a heap of laserdiscs for the CCS library from Alan's and my own collection, and I got to meet and chat with a few more of the students (forgive me, folks, it will take me time to match names and faces). John from Ludlow arrived in his pickup with his brother, whom I met, and Alexis in his pickup ended up being our 'point man' in the caravan of vehicles en route to Hanover. Marj and I drove Sam and Ross -- two CCS students from Massachusetts and West Virginia, respectively -- to and from the BBQ, dropping 'em off at the venerable Coolidge Inn upon our homeward-bound pass through White River. To think, some months ago, this is the lobby I walked into for the CCS fundraiser where I met Alison Bechdel and where Art Spiegelman spoke -- now, some of the students are living here. It's all real now; it's more real this morning, as they're ending their first class ever on the first day ever.

Bayle and Richard were incredibly personable and generous hosts, and their multi-tiered back yard gardens provided a memorable arena for the first CCS blowout. Or, I should say, second -- some of the students were still bleary-eyed from their own partying the night before, and that's the important first blow-out, where the real bonds and lasting energy happens. Anyhoot, this was the first blow-out we got to indulge in, and it rolled from a little after 4 until 6:30, the day before school starts. As James said, "A great way to kick off our first year." We got to chat with some of the Board members and a few students (including one from Holland!), chow down on hot dogs and/or burgers, and wander Richard's splendid gardens, which the Drubel's cultivated in a mere four years (according to Richard, it was all brush, brambles, and dirt when they moved in). The little kids loved it, and were soon rolling down the lawn at the base of the gardens, down toward the Dartmouth pond while students, faculty, and friends of same played frisbee and Sam soaked in the warm waters of the pool on tier two or three, down from the house.

Richard was a fascinating man, first talking about comic strip favorites (and bringing down the local paper to show me the return of Berke Breathed and Opus to the color Sunday pages) before conversation eased into talk of plants and his garden. I rather teasingly replied to his talk of how obsessive garden-and-plant lovers could be with a question about sundews (tiny carnivorous plants that once grew along the pond my kids grew up with on Lower Dover Road in Marlboro), and Richard knew exactly what I was referring to. No carnivorous plants in Richard's garden, but no telling what grows in the greenhouses we passed on our way out to the cars at the end of the BBQ...

Marj and I ended up sitting at the peak of the grassy hill that inclines down to the pond, where kids little and big were rolling with glee. The little ones, of course, could do so with impunity; it was comical to see older bodies trying for the same pleasures discovering head-to-neck-to-shoulder distances proving no longer condusive to the graceful rolling of childhood, or the post-roll dizzy rattling their pins.

The pond, it seems, is not the most alluring body of water to be found in NH. Bayle grimaced as she described the carp-kill that had to be removed from the pond a couple years earlier, while I watched what must have been trout breaking the surface to scarf down the late-afternoon insect cusine flitting over the surface. The pond is a fixture of Darmouth winters -- a preferred skating surface, and also home to some sort of polar-bear-like ritual involving Dartmouth students chopping through the ice to swim in the winter waters -- and a wedding gathering at the Dartmouth Outing Club at the end of the pond two or three houses away were serenading all with a lively mix of music blaring. This led to dancing by the cattails at the edge of the pond, as Richard told Marj and I the Outing Club is also the site for an annual Jewish ritual involving the casting out of sins via bread thrown onto the water. That means the fish are growing fat on sin at least once a year, which is already feeding a story idea for down the road... another unexpected dividend from yesterday's gathering.

There was much, much more, but that's all I care to share right now. It was a great day, all in all, and I can't wait for tomorrow -- my first day of teaching. Will let you all know how it goes....