Random sharing of online oddities for you this morning... I'm midweek in my CCS teaching schedule and in Neil Gaiman book land every other available minute, so I'm just not in a blogging frame of mind this AM. Still, here's something or three to spark your day, if you're so disposed.
Battle at Kruger: "I can't stop watching it. I'm obsessed with these water buffaloes protecting their baby. Warning: If you're freaked out by wild animals attacking each other, you might not like this." - Sarah Stewart Taylor
Ever since the early 1900s, filmmakers amateur and professional have been cranking cameras to catch unique moments in the lives and deaths of wildlife from around the globe. The more exotic the animals, the more savage the action, the wider the audience. They used to call these 'goona-goona' films in the wake of the 1930 shot-in-Bali curio Goona Goona, and whether they were distributed by major studios (Dark Rapture, etc.) or roadshowed out of the back seat of huckster's cars (Ingagi, most elusive and once the most successful of all goona-goona), the animal action would back asses into seats. Well, OK, the native nudity helped. The Walt Disney True-Life Adventures, the 1970s wildlife features from Sunn International, cable TV Shark Week and Animal Planet and Fox TV fare like When Animals Attack are all part of this venerable tradition, and here's the most recent slice of
I've held off posting ebay links for the various slices of my past that have popped up in the past few months -- they're not my auctions -- but here's a blast from the past you might wish to bid on if you get this in time (the auction ends later today). This is of interest, perhaps, as it's one of my rare wash comics works from the early 1980s, and one of my few Marvel Comics gigs I'm still pretty much proud of (except for a couple of really rushed pages -- brrrrrrrr, there's a couple of stinkers in this otherwise solid piece of work). Plus, it's going for cheap, so give it a look --
This particular page was completed with an assist from Rick Veitch (look like Veitch laid it out and likely pencilled the first panel), who lettered the entire story. This is also one of a handful of pages in this story directly referencing the Marv Wolfman/Neal Adams origin of Dracula story from Marvel's Dracula Lives! black-and-white zine. This was the last Marvel gig I completed before John Totleben and I began work on Saga of the Swamp Thing, and my last wash comics creation for any publisher except Scholastic: the shoddy, inconsistent quality of printing in those days destroyed the work that went into these pages.
OK, better blogging tomorrow, promise.
Have a woolly Wednesday, one and all...