Friday, January 11, 2008

While I Was Away...

...Chris Golden, Henry Wagner and I finished and delivered our initial draft of The Neil Gaiman Companion. Sans the interview and a few other items (art, commentary quotes we're awaiting from a few folks, etc.), it already clocks in at (choke!) 843 pages. Really.

What makes the final cut, time and hard work with our editor will tell. But just thought I'd announce the delivery.

So, I'll be posting here tomorrow, on something, sometime. See you Saturday, stay warm and dry.

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Thursday, November 29, 2007

Visiting Neil: An Epilogue, Of Sorts

* An oversight in my previous post (see link, below): It was Special Collections librarian Meredith Gillies who led Neil Gaiman, Hank Wagner, Jack Zipes, Casey Hoekstra and I into the subterranean vaults of the University of Minnesota Children's Literature Research Collection. As promised, upon my return home I rushed a care package off to Meredith of my own work, and I hope in time to find a way to tap the collection there for my own research project on early children's literature on dinosaurs and prehistoric life. Mayhaps a reason to revisit the Midwest, when the time is right? I've many cool old samples of that genre in my collection (some of which I've already shipped off to the Bissette Special Collection at Henderson State University's HUIE Library), going back to the late 19th Century, but Meredith's tour and the mind-blowing scope of their special collection was a mouth-watering overture to arriving at a more definitive grasp of the roots of the prehistoric genre. Wish me luck!

  • In Part III of my posts on my visit to Neil Gaiman's, I mentioned Neil's signing session after his reading: "After the long line has been moved once to another room and each person (including a lanky pair of identical twin brothers) given time for signatures..."

  • Well, what d'ya know, an email arrived the next day from one of the brothers, Nick Folkman: "I just wanted to say that I read your blog today and was delightfully surprised to see you mention my brother and I (we were the lanky pair of identical twins at the Fantasy Matters conference). Had we known that you were there as well we would've attempted to say hello and try to pick your brain about comics. Anyways, I just wanted to say hello and good luck on the Gaiman biography!"

    Thanks for writing, Nick, and a care package of comics (identical batch, signed to you and your brother) is already on its way to you; enjoy.

    * To clarify: it's not a biography we're working on, it's a 'companion' -- an unauthorized overview and analysis of Neil's body of work to date, as complete as we can make it. Neil granted time for an exclusive interview, and when he's had time has answered some of our email questions, but this isn't a book Neil cares to have in existence, really -- to his mind, he's not done enough. Again, I'm a late-comer tagalong on this venture, happy to be working on it, invited in during the eleventh hour to help with this and that; it's Chris Golden's and Hank Wagner's book, I've done only a fraction of the work involved as and when asked, and Hank has been hammering Chris and I with completed chapters this week. We're in the home stretch, so I won't be blogging much this weekend due to workload on the project.

    As of this week, I'm trying to excavate my set of Miracleman comics for that writeup this weekend, and have one more polish of The Wolves in the Walls to tackle before I fire the final draft of that chapter off to Chris and Hank. Again, wish me -- and us -- luck... I think the book is turning out pretty well.

    * Last night, one of my CCS students asked me a question about Alan Moore, then flinched and covered their mouth and said, "Oh, God, sorry -- !" I laughed and answered their question, brushing off the unnecessary apology. Funny, though, that someone I've never discussed any of this with had that immediate a reaction, suddenly aware this might still be a sore point. Funny, too, I'd thought of it yesterday AM myself, for reasons noted below.

    One of the first things Neil said to me almost immediately upon Hank's and my arrival to Neil's home two weekends ago was, "I just thought you should know I saw Alan the other day, and he seems very happy..." Alan and Melinda (Gebbie) were of course married earlier this year, and Neil was there, too; I posted links and congrats here when that popped up on Neil's blog.

    Neil's immediate comment was completely appropriate, and it's nice to know Neil knew it to be. Neil is my only remaining 'lifeline' from the often intense ten-year friendship I enjoyed with Alan (Rick Veitch and I just don't talk about it any more, and haven't for a couple of years). It was a kindness indeed for Neil to share his news with me. I've made my peace long ago with Alan's exile of yours truly, but all this came to mind yesterday morning as I listened to one of my current favorite tunes on Mirror Mirror, the gift CD Lorraine Garland sent me home with from the visit to Neil's home. The following lyrics resonate in the context of all this:

    "Every cold mile between us is painful,
    All of the words we could never unsay in full,
    Moments are magical, pain universal,
    Frozen like ice and it's just too damn personal..."


    - "Personal Thing," lyrics by Neil Gaiman, music by Neil Gaiman and Graham K. Smith, from Lorraine a' Malena's CD Mirror Mirror
  • (Again, the link...)

  • That's how it felt for a few years, but no more: the song, heard in the context of musing over lost friendships, captures the initial grief and melancholy that followed, but it's past history. It's no longer personal, when so many people know about it; and it's nice to know, per Neil's kind words, that Alan's doing well these days. What's done is done; life goes on. Thanks for the kindness, Neil, via the comments, via the song.

    * One more followup to Neilland for this AM: I mentioned the backdrop of gunshots and deer hunters in the Midwest during our visit. Deer hunting season is closed here in VT now, but the aftermath lingers! But -- Goona Goona? No dice!
  • Marek Bennett asked if this (click link) counts as goona-goona --
  • -- sorry, Marek, that's not exotica, a necessary component for goona-goona. It's just New England nature at work. I've stumbled on far worse in the woods in northern and southern VT -- but those are tales for another day...

    Have a thumpin' Thursday --

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    Sunday, November 25, 2007

    Sunday Spinnings

    Yesterday morning I finished reading my friend Mike Dobb's new book Escape! How Animation Went Mainstream in the 1990s -- this morning, I finished reading my friend Tim Lucas's truly massive, moving Mario Bava: All the Colors of the Dark. Today, I'll be continuing work on a book project as a writer, The Neil Gaiman Companion, which coauthors Chris Golden and Henry Wagner brought me into in the eleventh hour. Mike and Tim's books are an inspiration, to say the least, and I'll blog about both books later this week -- but today, I've got to keep the clock ticking on the Gaiman book.

    Lorraine a' Malena, again. Again.

    More of Lorraine a' Malena's music is spinning in my head this morning, and now on my player as I work on the book project. One tune in particular strangely fits the process Chris, Hank and I currently are steeped in -- reading, re-reading, and autopsying Neil's body of work:

    "I've been dissecting all the letters that you sent me,
    Slicing through them looking for the real you,
    Cutting through the fat and gristle
    Of each tortuous epistle
    Trying to work out what to do..."

    - from Postmortem on Our Love (lyrics by Neil Gaiman, music by Lorraine Garland)

    That said, though, it's a tune that I still associate with Van Morrison that I hit 'replay' on a couple few too many times:

    "I'll tell me ma
    When I get home,
    The boys won't leave
    The girls alone
    They pull my hair,
    They steal my comb,
    But that's all right,
    Till I get home..."

  • Lorraine a' Malena's website is where you can purchase their new CD Mirror Mirror -- Gaiman fans, take note.
  • You need this CD.

    Thanks again, Lorraine, for gracing the week with the copy you gave me!

    Today and tomorrow I'll be working through Hank's weekend torrent of chapters, amid transcribing the five hours of interview tapes I came home with; we'll be at this till it's done in the next couple of weeks. Wish us luck!

    At last, a photo of the CCS/Bissette booth in the Antique Mall in Quechee, VT; photo by Mark & Kathy Masztal

    A few things I didn't get to this week, as yet:

    * My old cartooning amigo Mark Masztal and his wife Kathy were in the area this past weekend, and Marge and I managed to join them for breakfast on Tuesday morning at our favorite Windsor eatery Stub & Laura's.
  • Mark and Kathy were on their second honeymoon, and whilst in the area visited the CCS/Bissette booth at the Quechee Gorge Village Antique Mall -- here's Mark's account of their trip and his plunder.

  • * I'll use this opportunity to shamelessly plug once again The Center for Cartoon Studies/Bissette booth -- Dealer #653 -- in
  • said Quechee Gorge Village Antique Mall,
  • and note this is a perfect shopping spot for Christmas, folks.

    The booth is literally jam-packed with one-of-a-kind signed CCS and Bissette collectibles, including signed copies of Sarah Stewart Taylor's mystery novels (sold two more of them yesterday!), James Sturm's graphic novels, Peter Money's poetry tomes, Cayetano 'Cat' Garza original art, Bissette-illustrated ceramics (see Mark's blog, linked above, for a shot of him with his Bissette Quechee Coffee Zombee mug!), lots of CCS student comics/mini-comics/comics packs, and tons of outstanding and curious vintage comics, factory-sealed DVDs, outsider LPs, and much, much more.
  • Colleen Frakes's Xeric-Award-winning series Tragic Relief is there, complete -- including copies with Colleen's original art packaged with the comics! -- along with almost everything listed here from the CCS Class of 2007! If you can't shop in Quechee, though, click on this link and shop here --
  • --and here's the online venue for comics and minis from the class of 2008, almost all of which is in the Quechee booth, too, signed and waiting for you.

  • * While I don't play favorites at CCS, I do want to note among my readings this past week was a most enjoyable re-reading of the first two issues out thus far of Sean Ford's excellent Only Skin: New Tales of the Slow Apocalypse, which is likewise on sale at the booth.
  • But don't take my word for it -- here's one of the most expansive online reviews of Sean's first issue, check it out.
  • Then quit dawdling and buy both issues -- while you're at it, get two sets: it'll make a great Christmas gift for some unwary comics-loving soul.

  • Have a great Sunday...

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