Sunday, November 25, 2007

Sunday Spinnings

Yesterday morning I finished reading my friend Mike Dobb's new book Escape! How Animation Went Mainstream in the 1990s -- this morning, I finished reading my friend Tim Lucas's truly massive, moving Mario Bava: All the Colors of the Dark. Today, I'll be continuing work on a book project as a writer, The Neil Gaiman Companion, which coauthors Chris Golden and Henry Wagner brought me into in the eleventh hour. Mike and Tim's books are an inspiration, to say the least, and I'll blog about both books later this week -- but today, I've got to keep the clock ticking on the Gaiman book.

Lorraine a' Malena, again. Again.

More of Lorraine a' Malena's music is spinning in my head this morning, and now on my player as I work on the book project. One tune in particular strangely fits the process Chris, Hank and I currently are steeped in -- reading, re-reading, and autopsying Neil's body of work:

"I've been dissecting all the letters that you sent me,
Slicing through them looking for the real you,
Cutting through the fat and gristle
Of each tortuous epistle
Trying to work out what to do..."

- from Postmortem on Our Love (lyrics by Neil Gaiman, music by Lorraine Garland)

That said, though, it's a tune that I still associate with Van Morrison that I hit 'replay' on a couple few too many times:

"I'll tell me ma
When I get home,
The boys won't leave
The girls alone
They pull my hair,
They steal my comb,
But that's all right,
Till I get home..."

  • Lorraine a' Malena's website is where you can purchase their new CD Mirror Mirror -- Gaiman fans, take note.
  • You need this CD.

    Thanks again, Lorraine, for gracing the week with the copy you gave me!

    Today and tomorrow I'll be working through Hank's weekend torrent of chapters, amid transcribing the five hours of interview tapes I came home with; we'll be at this till it's done in the next couple of weeks. Wish us luck!

    At last, a photo of the CCS/Bissette booth in the Antique Mall in Quechee, VT; photo by Mark & Kathy Masztal

    A few things I didn't get to this week, as yet:

    * My old cartooning amigo Mark Masztal and his wife Kathy were in the area this past weekend, and Marge and I managed to join them for breakfast on Tuesday morning at our favorite Windsor eatery Stub & Laura's.
  • Mark and Kathy were on their second honeymoon, and whilst in the area visited the CCS/Bissette booth at the Quechee Gorge Village Antique Mall -- here's Mark's account of their trip and his plunder.

  • * I'll use this opportunity to shamelessly plug once again The Center for Cartoon Studies/Bissette booth -- Dealer #653 -- in
  • said Quechee Gorge Village Antique Mall,
  • and note this is a perfect shopping spot for Christmas, folks.

    The booth is literally jam-packed with one-of-a-kind signed CCS and Bissette collectibles, including signed copies of Sarah Stewart Taylor's mystery novels (sold two more of them yesterday!), James Sturm's graphic novels, Peter Money's poetry tomes, Cayetano 'Cat' Garza original art, Bissette-illustrated ceramics (see Mark's blog, linked above, for a shot of him with his Bissette Quechee Coffee Zombee mug!), lots of CCS student comics/mini-comics/comics packs, and tons of outstanding and curious vintage comics, factory-sealed DVDs, outsider LPs, and much, much more.
  • Colleen Frakes's Xeric-Award-winning series Tragic Relief is there, complete -- including copies with Colleen's original art packaged with the comics! -- along with almost everything listed here from the CCS Class of 2007! If you can't shop in Quechee, though, click on this link and shop here --
  • --and here's the online venue for comics and minis from the class of 2008, almost all of which is in the Quechee booth, too, signed and waiting for you.

  • * While I don't play favorites at CCS, I do want to note among my readings this past week was a most enjoyable re-reading of the first two issues out thus far of Sean Ford's excellent Only Skin: New Tales of the Slow Apocalypse, which is likewise on sale at the booth.
  • But don't take my word for it -- here's one of the most expansive online reviews of Sean's first issue, check it out.
  • Then quit dawdling and buy both issues -- while you're at it, get two sets: it'll make a great Christmas gift for some unwary comics-loving soul.

  • Have a great Sunday...

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    Friday, November 23, 2007

    Visiting Neil, Part V
    Friends, Music, Buzzard, Bunnies & Alchemy


    A key aspect of the trip to Neil's I've only touched upon thus far is the amazing circle of Neil's friends, peers and associates Hank and I met a few of in our mere three days. Who knows who we might have spent time with, had our stay been longer?

    First and foremost, natch, is Neil's family; we met Maddy, who wasn't born yet when I last visited Neil's Midwest home. Maddy is well known to all who frequent Neil's blog; she's thirteen now, and I missed seeing Mike and Holly, who are now adults and making their own ways in the world. Their mom Mary and I spent some time together Sunday, catching up and chatting -- an hour just wasn't enough time, but it's what we had, and that was precious.

    It was great to see Lorraine Garland, aka The Fabulous Lorraine, again -- the Midwestern Ayesha, She-Who-Must-Be-Obeyed and the person to seems to hold the gravitational forces of all in Neil's orbit in uncanny balance. Lorraine is a beautiful and amazing spirit, deftly juggling what must be a daily onslaught of energy from within and without, and doing so with complete grace and unflappable skill.

    Our pre-trip emails concerning possible needs prompted me to joke about my aversion to liver on any planned menu, and Lorraine had prepared for our arrival by lovingly plopping no less than five raw chicken livers into Cabell's (Neil's dog's) outdoor snack bowl; my copy of Lorraine a' Malena's new CD Mirror Mirror is blessed with Lorraine's exquisite handwriting, "To Steve, Love, Magic & Liver!!" Next time, I'll tout my revulsion for pancreas.

    Lorraine a' Malena, on da stone & in da flesh (photo by Dr. Dan)

    Lorraine has her own careers flying, primary among them her music. When I was last visiting, it was The Flash Girls, Lorraine's duo with Emma Bull, but that's long past. I'm soooooo out of the loop. Since that time, lo over a decade ago, Lorraine has connected with Malena Teves and they've been making music as Lorraine a' Malena, ably assisted and backed by the likes of Neil (occasional lyrics), Chris Ewen, Adam Stemple, Robin Adnan Anders, Scott Mulligan, Armitage Shanks, Earl E. Mammal, Paul Score, Lojo Russo, and others.

    I've been spinning Mirror Mirror all week, and savoring it; perfect drawing music, too. Neil's lyrics for The Butterfly Road (The Faust Song) resonate eerily since our visit -- how autobiographical is it?

    Now there's no going-back
    And there's something-undead
    In your mind and your eyes
    In your heart and your head
    And if anyone asks how you feel
    Just say it was part of the deal...


  • Lorraine's blog -- actually, it's Lorraine and Malena's venue, but it's the purest shot of online Lorraine you'll find -- is highly recommended, peppered with factoids, insights and mucho candid pleasures.

  • Lorraine a' Malena's website awaits you here, with news, photos, music, links, fanclub entry and more -- including how to purchase their new CD Mirror Mirror -- check it out.

  • For those envious of Fabulous Lorraine's demanding lifestyle, weigh your envy with care and be cautious what you wish for:
  • a day in the life of the Fabulous Lorraine is a daunting proposition for any mere mortal to contemplate.
  • Lorraine makes it look easy -- she handles it all with aplomb, but rest assured she earns her status with fifteen years of hard experience to date! All hail, Lorraine!

    We also met
  • Sharon Stiteler, better known online as Birdchick -- here's the link, you'll love exploring this site!

  • Fortunately, the nanosecond in which I met Sharon and her husband Bill, I just happened to have my sketchbook in reach -- the one I toted to the Vermont Institute of Natural Science Raptor Center last year, when the Center for Cartoon Studies students and I drew from close-up drawing sessions with select raptors. When Neil mentioned to Sharon that she'd like my comic Tyrant, and Sharon fixed me with those baby blues and asked what kind of drawing I did, I handed her the sketchbook which opened right up to my brassy head-and-neck sketch from life of a turkey vulture, and Sharon melted. She loves them birds, and my buzzard was the quickest shot to her heart I could have fired as an artist.

    Mayhaps it'll play out that I'll be able to collaborate with Sharon on something in 2008, wedding our mutual affection for birds of prey; time will tell, but it would be fun, and having the VINS raptor center within a half-hour of my home provides ample live research and models to work with.

  • Sharon's Disapproving Rabbits book and blog are another branch of her naturalist interests, be it a bizarre one; look no further than here to check it out.
  • Sharon generously gifted Hank and I with copies of the book, which is indeed brimming with color pix of disapproving rabbits, whose star allure is reportedly quite high in rabbit circles. I wouldn't know, I just take Sharon's word for it.

    More tomorrow --
    ________________


    A sobering parting thought for the day, compliments of HomeyM:

    “We are members of the most destructive culture ever to exist. Our assault on the natural world, on indigenous and other cultures, on women, on children, on all of us through the possibility of nuclear suicide and other means - all these are unprecedented in their magnitude and ferocity.” - Derrick Jensen

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    Sunday, November 18, 2007

    Our Visit with Neil: Part III

    I'm hearing gunshots outside -- deer hunting season in the Midwestern flatlands (man, it's flat out here -- to this Woodchuck). Here's hoping it's a buck bagged, not a hunter. Our drive yesterday afternoon to Minneapolis was punctuated with guys in their red-and-orange garb with various gauges of firearms, clogging the narrow back roads. Have a beer, grab a rifle, hit the scrubby woods. Ah, there's two more shots, higher gauge, a little further off.

    Much to tell, little time to write. We've covered more interview ground with Neil, in his home, in the car, but still there's much to do today before Hank and I wing out of here. Poor Neil -- why did he invite us? He hasn't time for this. He's stretched so thin, I don't know how he does it. Still, he indulges the time we need ungrudgingly, and we have some fun, too. Between it all, in snips and snatches, we catch up on life, too; our sons and daughters, this and that.

    Of course, the weekend isn't "ours" -- the world is banging on his door daily. The Fabulous Lorraine keeps it at bay and coherently on-track. Anyway, a few highlights:

    Yesterday afternoon, Neil invited Hank and I to join him for lunch in Minneapolis with Jack Zipes, Professor of German at the University of Minnesota. Jack is a marvelous fellow, and in fact one of the world's renowned experts on fairy tales, folklore and children's literature. We hit it off and we all have a fine time, over good food and drink. I'll be firing off some care packages to Jack upon my return home, including illustration materials from my movie still and pressbook collection from fairy tale films (I have a lot of curios from the 1960s Mexican and European fairy tale films, including a gem of a still of the Big Bad Wolf from Little Red Riding Hood and the Monsters). Jack is interested in coming to VT to learn to draw comics at one of the Center for Cartoon Studies summer workshops; I will do all I can to make it happen.

    The Fantasy Matters symposium at University of Minnesota was the rest of the focus of the day until 6 PM, for which Neil was reading from his novel currently in progress, The Graveyard Book. Greg Ketter of Dreamhaven Books was set up, allowing Greg and I to catch up a bit (as with Neil, it's been years!) and for me to snap up two of Jack Zipes's books, Spells of Enchantment: The Wondrous Fairy Tales of Western Culture and a used but perfect condition copy of the long out-of-print The Outspoken Princess and The Gentle Knight. I shamelessly track down Jack to sign both. I'm leaving Spells out to read on the flight home today. Jack graciously signs my books, then Neil, Jack, Hank, our affable Fantasy Matters guide Casey Hoekstra and I were whisked away for an amazing half-hour in the cavern (!) beneath the University Library, where their mind-boggling archival vaults with one of the world's most expansive collections of children's literature and related arcana (manuscripts, illustrations, author's personal collections -- including Jack's -- etc.) are housed in temperature-and-humidity controlled conditions. By the end of the tour, we've all been suitably blown away and have each made the obligatory Burgess Meredith/Twilight Zone/"if ever there's armageddon, here's where we hope to be" wisecracks to one another. One vast chamber of this stronghold is literally Raiders of the Lost Ark final shot material, and Hank and I are plotting how to get our wives to see this so our respective collections are placed in the proper perspective and the immense reason and rationality of our obsessive behavior is at last understood and a source of great love and affection rather than -- oh, sorry. I'll stop now. Out of the Andromeda Strain subterranean complex, back to the surface, back to the symposium.

    Neil's reading goes beautifully, as I'm sure most of them do. The opening chapter to The Graveyard Book is chilling, evocative, delightful, funny -- he has the listeners eating out of his hand. He wraps up with two key points about fantasy in literature, which I won't go into here and now (time's a wasting!), then fields a few questions and gives himself over to the crowd for book signings. After the long line has been moved once to another room and each person (including a lanky pair of identical twin brothers) given time for signatures, sketches (Neil's sketches are great fun, one per book) and photos with fans, Neil opens up to a half-hour chat with the young writers attending, and gives more of himself there. For one of the writers, it means folks are immediately scurrying out to the Dreamhaven booth to buy copies of the writer's new novel. This is a boon for the writer, of course, and thus Neil is giving back to his community, to his younger self. He's in a new space in this, now: older, with such an expansive output and such cumulative celebrity that he is no longer a peer on any level with these young writers -- Neil is to them what Harlan Ellison was to 20-something-year-old Neil when he and Harlan first met, and only a few years shy of Harlan's age at that time. Despite his apparent comfort with this, en route home we talk about his discomfort with this new stage, an unresolvable matter, a new life phase.

    Lorraine has an Iron Chef-worthy dinner spread waiting for us. We tuck in and eat, Lorraine joins us, and what a feast. Batteries recharged! Afterwards, Neil has the pressing matters of the day's email, phone, etc. to catch up on; we close the evening with another interview session, all somewhat fried, none more than Neil. Neil's affectionate white shepard Cabell demands our attention at various times; why are we just sitting and talking? Stupid humans. We wrap up. Off to bed.

    I awaken and read myself back to sleep twice in the middle of the night: I'm in the upstairs library, books are everywhere, incredible books. Cinema Macabre edited by Mark Morris is the potion; I must eventually buy myself a copy and devour it all, but here it's all I need to get back to sleep.

    I drift and dream of this and that -- at one point wandering backstreets of a large town synthesis of Wilmington, Brattleboro (VT) and Dover (NJ), my old Kubert School digs. Maia and Dan are having a BBQ with crocodiles and three people I don't know, eating something wrapped in huge leaves; I wander down the street, and at one point cut through someone's front room to get to the parallel street on the other side. From over a high 15-foot wooden fence, I hear a familiar voice, so I climb up and hang my arms over the top of the wall to chat. Marc Vargas, now thicker (as are we all) but dapper as ever, extols the merits of some new charcoal-based shower system; is he trying to sell me one?

    Today, we complete all we can, then hustle back to the airport. Getting here was a peach on Friday, easy as can be every step of the way; today is the Sunday of Thanksgiving week, the busiest day of the year at the airport (or so we were told there on Friday); here's hoping it all sings. Neil's off to the Phillipines tomorrow -- how does he juggle all this? -- but at least he'll be spending time with his son there. For my part, I'd love to be seeing Chris and Connie Golden tonight, and home early enough to drive myself back to Windsor and cuddling with Marge and Tuco and Lizzie before 1 AM (if not, return trip to Windsor tomorrow morning it is).

    Wish us luck. Have a great Sunday...

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    Saturday, November 17, 2007

    A Brief Before Bedtime...

    I'm in the guest room/library at Neil's house, settling in for the night after an easy flight, pleasant car ride, grand day and fun evening -- day one of our interview session with Neil, with dressing. Neil is, of course, an ambulatory toast, having been up for 26 hours flying back from the UK, but by far the most affable and articulate toast of 2008 thus far. He's hopefully sleeping now.

    The early afternoon walk with the dog was a wakeup for all, including a visit to Neil's hives (where Neil essentially "put them to bed" for the winter) and a jaunt around the grounds that were impassable woods and brush when I was last here over a decade ago.

    As for Hank Wagner and my reason for this trip, our first interview session went well; we covered some fresh ground with Neil, I think, and laid the foundation for richer plowing tomorrow. Afterwards, Lorraine, Jenn, Hank and I made the pilgrimage to the nearest digital projection theater to catch Beowulf in 3D (not an option in my home area, and a real treat).

    Beowulf is the new standard for non-Pixar CGI animated features, and a fascinating new wrinkle in the pepla revival (300, Pathfinder, etc.) -- I'll post a full review when time permits, after I'm back home. They haven't quite got a consistent sense of weight and, more importantly, the genuine spark of life in the eyes of the characters, who too rarely seem to make eye contact with one another. That said, Ray Winstone's Beowulf is a convincing presence throughout, and it's a quantum leap over Final Fantasy, Polar Express and similar CGI TV series efforts over the years. I must admit, though, that the 3D Coraline preview -- Neil's upcoming animated feature directed by Henry Selick (Nightmare Before Christmas, James and the Giant Peach) -- was an even tastier & oddly more tantalizing slice of eye candy, in part because its stylization wasn't evocative of either live-action simulcrums or video game imagery. Still, Beowulf's alternative reality suffered few lapses keeping this viewer from steeping and often losing himself in the hyper-real realm it explores.

    The definite Beowulf highlight for me was Crispin Glover's Grendel (a fresh, imaginative take on this most venerable of all monsters), with a startling opening massacre that had one family fleeing the theater with an unhappy 11-or-12-year-old son in tow, clearly wishing to stay. Be warned, if you're planning on taking younger viewers. The film was the goriest PG-13 film in over 15 years, bar none. Sure, it's animated, but it's surprisingly explicit in the onscreen mayhem department, including a plethora of injury-to-the-eye (including one critter orb ruptured from within) imagery, spurting blood splashing down on the audience, dismemberment, a disembowelment and impromptu heart surgery of saurian proportions, and lots of bemusing male nudity teases with Beowulf and a dangerously-close-to-disrobing King Hrothgar (Anthony Hopkins) to balance out the publicized virtual-Angelina Jolie nudity as Grendel's Momster. Had this been a live-action epic, it would have earned a hard 'R' -- curiouser and curioser, the MPAA.

    The 3D was a complete surprise for me, and I'm glad Neil insisted upon our seeing it in this format with the option to do so in such easy reach. The illusion works marvelously and the film was grand fun, though my eyes began to feel literally peeled by the final 20 minutes -- an oddly physical reaction, sans the usual headache induced by the red/green lens 3D or Polaroid 3D of yore, and far more effective than anything I've seen outside of an Imax.

    I always stay for credits, but we all sat through the scroll to applaud Lorraine (Garland)'s onscreen credit, which completely flummoxed the usher cleaning the theater.

    OK, off to bed -- have a great weekend, one and all...

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