Sunday Morning Review of Books...

...and comics.

Well, at least an overview of some recent and upcoming publications that may be of interest to some of you.

An opening morning thought (compliments of HomeyM, thanks, Homey!):

"The creative process is a process of waiting, trusting, acting, it has a deep wisdom, if we will surrender to it. The power of the unconscious rises to the page. It can be frightening. It is difficult. But it is in the vitality of this struggle between the writer and the word that we can create transformative work. Each book I have written has transformed me in the process. I write myself to the other side of my question..."

- Terry Tempest Williams

This past Friday, Charlito and Mister Phil

of the popular podcast venue Indie Spinner Rack

visited the Center for Cartoon Studies and interviewed yours truly at great length; that'll be online soon. As CCS fellow faculty member Robyn Chapman points out, Indie Spinner Rack has been a great supporter of CCS -- "they are donating half of the profits from their upcoming anthology to CCS," Robyn says -- and they are excellent promoters. Charlito is also a fellow XQB (Kubert School graduate), and it so happens we first met and he was a student there when I visited the school and presented an early version of the ever-expanding Journeys Into Fear: A History of Horror Comics slide show lecture.

Anyhoot, among the many things Charlito and Mister Phil grilled me about was "Why isn't there any new Bissette comics?," a question touched upon ad infinitum here from time to time. Which leads me to this morning's subject:

My work appears in a number of new comics and books! Here's a quick review of those goodies, now out and/or about to hit the shelves:

* Rick Veitch's King Hell Press is just releasing Rick's new anthology Shiny Beasts; for more relevant info, memories and details, and a peek at the story and artwork I had a hand in that appears in this anthology, check out

this previous blog posting,

and this one,

and then there's this, too! All worth visiting or revisiting.

Best of all, though, is Rick's own preview section he's posted online, here!

* The latest issue of Bob McLeod's magazine Rough Stuff #4 features an illustrated overview of some of my Swamp Thing pencils, with insights by yours truly, and best of all a lengthy illustrated interview with my venerable amigo and fellow Swamp Thing vet John Totleben. Pick it up, and pronto -- it's on the shelves now, or you can order your copy immediately

at the TwoMorrows publisher website.

I wrote about this issue on the blog

here

and here, including art, links, etc. of interest and delivering some immediate gratification and eye-candy delights.

* So much for vintage Bissette -- there's new stuff, too. here's the upcoming (shipping in May!) Accent UK Zombies anthology, for which I drew a cover, some interior spot illustrations, and completed a brand-new four-page Edward-Gorey like humor piece working with my son Daniel Bissette,

which I first announced here,

discussed at some length here,

blathered more about with this post,

and provided bios for the anthology's fellow contributors here.

That Zombies also features some stories and art by Center for Cartoon Studies students is a plus in my book, too!

I'm not sure if this anthology is going to make it over to the US, so best you check out

the Accent UK site and see about ordering your copy online, just in case.

I'll be posting more info, links, and tidbits on Zombies -- and the planned US followup, featuring much all-new work (including new material by yours truly!) -- later this coming month and spring. Keep your eye on this blog!

* In stores right now is the third (and, alas, final) issue of Mark Martin's most recent anthology Runaway Comics

which prints the complete version of "Blog Opera," the amazing story featuring me, Steve Bissette, trying to rescue my friend Mike Dobbs's severed head, which I previewed here

(lifting the images from Mark Martin's marvelous blog "Jabberous," which is forever linked on the menu at your immediate right), and which places me at last in the Brain That Wouldn't Die pantheon I secretly forever longed to belong to.

Thanks, Mark! Do I give head as well as I take head? You'll have to buy Runaway Comics #3 to find out!

I also have a teeny, tiny li'l drawing that's part of Mark's eye-popping back cover painting,

and you can find out the secrets of this back cover painting here, including my part in it -- scroll down the menu at the left Mark has created, and click on the contribution by everyone Mark invited to "come draw with me!" (which is also covered -- pun intended -- in the pages of Runaway Comics #3)!

So, don't hesitate, run right out today and pick up your copy of Runaway Comics #3! While you're at it, get Runaway Comics #1 and 2, too -- all great, fun reading -- and all available

here, where you can also preview every issue as well, right now.

Check 'em out, and tell Mark I sent you.

* I've also written the introductions for two new graphic novel collections -- one a partial reprint extensively revised and expanded into a whole new graphic novel, the other reprinting for the first time a seminal body of Teenage Mutant Ninja Turtle work by Michael Zulli. Both, though, are well worth picking up, and pronto!

If you scroll down a bit, you'll find my writeup of Michael Zulli's excellent TMNT: Soul's Winter here,

and you can order a copy here (with Michael's exquisite & exclusive signed bookplate as a bonus)!

* The amazing new graphic novel I proudly scribed an intro for is Rob Walton's masterpiece Ragmop, which doesn't "just" collect the existing pair of Ragmop series from the mid-1990s -- don't believe those know-it-all online putzes and pundits who claim otherwise.
Ragmop, the book, is not a reprint edition -- Rob completely revised, revamped, redrew, rewrote, and expanded the whole into a complete, self-standing and mighty hilarious satiric epic that is hands-down one of my favorite graphic novels of all time!

Here's Rob's blog and site, always worth a visit (on a regular basis),

and here's where you must immediately go and purchase a copy of Ragmop with the limited edition signed color bookplate -- no, right now. No excuses.

You think I refer to something as "my favorite graphic novel of all time" lightly?

So, there. Some new Bissette, some old Bissette -- all in print now, and in comics shops and bookstores now.

Now, I personally know how many of you did (and most of all how many didn't) order my son Dan's zine Hot Chicks Take Huge Shits last year, with my first-ever all-new comic story of the Millennium. A vast yawn greeted Dan and I with that little wonder. There's a stack of 'em signed sitting here in the SpiderBaby backstock; Dan was so discouraged with the cosmic indifference to his first effort he damn near killed himself -- good thing I talked him down out of that tree. That's right -- and it would have been your fault!

You don't really care whether I draw comics again, you just like to gripe about it, and expect me to post whatever I do online so you can dig it for free. Well, I'm on to your little game. I can just glance over at the huge stack remaining of Hot Chicks Take Huge Shits and I know what's what.

So get out there, or just click your fucking mouses, and buy the books and comics above. They're all great! I'll know if you did or didn't, bunky. Quit whining about my not doing anything and go buy 'em all, or leave me alone!

_____________________

On another matter all together, which Ragmop creator Rob Walton and I talked about during his visit here, and which Clan Apis and The Sandwalk Adventure creator (and biologist) Jay Hosler had a lot to say about during his visit to CCS, check out the comments on yesterday's blog posting for a lengthy comeback from Luke Przybylski about

this Easter blog posting, which I still stand by (your writing still played to the prejudices I noted, Luke).

I've replied in kind in the same comment thread, so check that out, too, and feel free to weigh in

(and feel free to read the local article in this recent post, too -- scroll down past the Grindhouse writeup -- as followup; that goes for you, too, Luke!).

Happy to talk about it, if anyone wishes to.

______________________

And this just in, Naomi Wolf's sobering Guardian story about how we're currently perceived overseas, and justifiably so.

Thanks to Tim Lucas for the link -- and y'all have a good Sunday, now, y'here?

More Totleben Awaits You...

...here, at Bob McLeod's Rough Stuff website.

More art Bob couldn't fit into Rough Stuff #4 (see yesterday's post), plus John's comments. Check it out!

Other insider info:

Tim and Donna Lucas's Mario Bava book is almost a reality! They just posted these photos of themselves with the ozalids of the book (check it out, especially if you need to know what ozalids are).

How cool is that?

Amazing, too, that lifelong Wizard of Oz fan Donna is now savoring "ozalids" of her and Tim's own creation -- I'm amazed there was never a drug dealer who adopted the term (though it likely didn't exist pre-digital era). It all fits together, somehow.

Ah, it's closer to reality -- and to my own bookshelf! -- and it's looking more than ever like the ass-kicking book of the year! Heartfelt congrats, Tim and Donna! Thanks for posting the pix and update!

That's a lot of book! Tim sez, "Do not drop this book on your cat!"

More post later today -- gotta run!

Imagine That Newt is Orange...

...and then click over to

Bob McLeod's Rough Stuff site to read about this vintage Bissette/Totleben collaboration, our first painted Swamp Thing cover art.

Then, at your local comics shop or via

this link, pick up a copy immediately of Rough Stuff #4, featuring the interview with John Totleben and pencils section by yours truly.

George Khoury's interview with John is truly excellent reading, and (per usual for Rough Stuff) illustrated with some jaw-droppingly gorgeous reproductions of John's pencils for covers, story pages, pinups, concept drawings, etc. John's recollections about our Swamp Thing days are, also per usual, dead on the money right -- though I'll post some comments (in the way of additional info, in part since George asks John about my end of things more than once) later this week, as time permits. In any case, get your hands on Rough Stuff #4, and pronto!

I'm speaking in Stowe, VT tonight at 5:30 at

The Helen Day Art Center; here's the particulars.

Maybe see one or two of you there? I'm working all this morning there at the art center with three groups of regional high school students (11th and 12th Grade) drawing comics -- fun, fun, fun! I dig these sessions, and some pretty lively comics come about as a result.

Ya, I know, it's late notice. Heck, I've barely had time to post anything this week, and this bull run (between CCS workload and WRIF final prep) will continue thus into Friday. As time permits, though, I'll try to catch up.

The Virginia Tech rampage is the fresh national horror; but this has had me wincing over the past week:

One thing to keep in mind as you hear/read the increasingly bilious crap pouring out of President Bush's mouth this week: You know, if President Bush would just finance his war the way every other President in US history tends to -- within his annual budget -- instead of keeping it "off the table" with his bullshit sideline funding via emergency spending measures, he wouldn't have gotten himself into this dilemma. He alone is responsible for this, however much he stridently says otherwise. He is refusing to "fund the troops."

The Congress is, at last, holding him and the Pentagon accountable (literally) for this war funding, and it's Bush's strategic burying/sidelining of the real cost of the war that led to this present showdown. The pork is a false issue -- the real issue is Bush, Cheney, et al set up this situation by never honestly funding this war, thus falsely cooking the annual books. It's Bush's own fucking fault -- however much he blisters the Democratic Party with his mounting rhetoric (and it was Republican votes that landed much of the pork attached to the war bill, BTW, so don't buy into that line of crap, either).

OK, there's other stuff to get into.

More later this week!

No Time! No Time!

Wednesday AM and no time -- so, feeble post today. Sorry.

Today's post title is true, but prompted too by the ongoing interview I'm amid with Bryan Talbot, whose new graphic novel Alice in Sunderland is soon to appear. More on that later -- when this white rabbit has time.

I've been working my way through notes on some of my old Swamp Thing pencils for the upcoming issue of Rough Stuff magazine ("S&M for Comics Pencillers"), prepping today and tomorrow's lectures for CCS, etc., all while making room for two trips north -- one today for

the Vermont cartoonists's panel in Burlington at the Firehouse Center for the Visual Arts -- all the info is here!

-- and for a CCS class trip up to

Stowe to visit the Helen Day Art Center and the "Fine Toon" VT cartooning show.

Whew; don't be surprised if I'm absent from here for a day or two, but I'll try to ensure that doesn't happen.


Followup on an email query from 'anonymous': Alex Toth was indeed vetted by Heavy Metal art director John Workman to do 1941: The Illustrated Story. For more info, check out the TwoMorrow's zine Alter Ego #63, December 2006, edited as ever by Roy Thomas; it's Roy's Toth tribute issue, and John Workman's article "1941 And All That: Why the Graphic Novel Version of Steven Spielberg's 1979 Film Was Not Drawn by Alex Toth" (pp. 47-50) says it all.

John, bless him, says the final published book was "brilliantly done by the young and wildly exuberant team of Rick Veitch and Steve Bissette," and notes the graphic novel did make a profit, which was news to me. FYI, Spielberg loathed what we'd done -- I still have a copy of his extremely negative letter to the HM folks in my files, which I reprinted in the letters page of SpiderBaby Comix -- but hey, maybe it's because we saw the truth about 1941 and laid it all out on the page for all to see!

Have a great Wednesday, one and all --